Moritz Frischkorn



Reflexe & Reflexionen (2025)
Theater is Dead. Long Live Theater (2024)

Die Möwe (2023)

Port Fiction (2023)
Leben des Galilei (2023) 

More-Than-Human Choreography (2023)

Gier (2023)

Die Choreographie der Dinge (2022)

Chasing Red (2022)

Ears to see (2022)
Untraining the Bauhaus (2021)

Die Anziehungskraft der Bäume (2021)

Great Report (2020)

Performance as Delegation (2019)

Auf Zucker(2019)

Expanded Choreography (2019)

African Terminal (2017-19)

New Measuring Rites (2018)

Savoy (2017)

Barricades and Dances (2015)

Jakob K. (2014-2019)


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©2025 Moritz Frischkorn

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You know the feeling when you long for someone so much that it doesn't even stop when the person is right in front of you and you can touch, hug, kiss, grab them? You know that feeling when you can never get close enough, that the other person is always too far away no matter how near they are?

Long before the term 'toxic' was used to describe relationships, British playwright Sarah Kane wrote a desperate, tender text about these exact conditions. Her dramatic long poem asks whether intimacy is always an impertinence and wants to know how we endure the violence of romantic love. How can we silence the greedy voices in our heads, at least for a brief moment?

Crave was written in the late 1990s. Now, 25 years later, Christopher Rüping is bringing this great, lonely script to the Pfauen.









Photos: (c) Orpheas Emirzas / Schauspielhaus Zurich


By: Sarah Kane / German by Marius von Mayenburg

With: Benjamin Lillie / Maja Beckmann / Sasha Melroch / Wiebke Mollenhauer / Steven Sowah

Staging: Christopher Rüping
/ Stage: Jonathan Mertz / Costume: Lene Schwind / Music: Christoph Hart / String Trio: Jonathan Heck, Coen Strouken, Polina Niederhauser / Video: Emma Lou Herrmann / Live Video: Alice Speller / Light: Gerhard Patzelt / Dramaturgy: Moritz Frischkorn

Premiere at Schauspielhaus Zurich on March 4, 2023